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QR Codes and Video

June 22nd, 2011

QR Code - RookieVideoPro

See this odd design above? This is called a Quick Response code, or QR code for short. The code has a white background with black squares placed based on a particular algorithm that ultimately when scanned by a QR scanner, will take the user to a desired destination based on the code creator’s choosing.

This particular one above leads to guest blogger’s site rookievideopro.com! The one below leads to our site spidvid.com! Take a second and scan them both when you get the chance, it’s pretty fun.

qrcode

QR codes have the ability to store all sorts of information whether it be a website URL, text, a phone number, and even SMS. QR codes have been around since 1994 but have been mostly popular in Japan where they were created, so you likely haven’t heard of them until the last year or two.You might find these codes on the next bottle of medicine you purchase, or even on food packages at retail stores. I happened to pull my desk drawer open the other day and saw that my bottle of Tylenol had one on it. Here is a great explanation of what some of these little black boxes are:

QR Code - its components

As you can see, quite a bit of information can be saved in just one little area. So how could this be used in video you ask?! While I’m sure you can come up with plenty of creative ideas, here are a few I could think of off the top of my head:

  • Being able to give your viewing audience information, or a site URL that they can visit without them having to write anything down.
  • Automatically creating a text message for users to opt into your text messaging service to receive new content.
  • Content branding.
  • Secret messages and promotions.
  • Access to unique content.
  • Invitations to special events, like a release party.

Now at this point you’re probably wondering where to find an application to scan these codes, and the answer is probably right next to you, in your hand, or in your pocket. If you have a mobile phone, you can get access to a free QR scanner. Most smart phones have apps that can scan QR codes and tell you exactly what information is embedded in them.

Below is a list of 11 iPhone Apps that will scan QR codes:

Have an Android phone? They’ve got applications for QR scanners as well!

If you want to generate your own QR code(s) then head over to either Kaywa or Qurify and create one in less than a minute! Happy scanning!

If you like this post by guest blogger, Zephan Blaxberg, founder of RookieVideoPro.com please visit our website, the online source for video production tips, tools and gear. Follow Rookie Video Pro on twitter at@rookievideopro for the latest updates and information.

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Using Dropbox For Creating Video Entertainment

June 16th, 2011

Dropbox Logo

The most important part of a collaborative video production is the planning phase. Planning out exactly how you are going to begin writing a script, drawing storyboards and finally getting into the production it will prepare you for any unforeseen obstacles and ultimately lead you to success. Seeing as Spidvid is a global social platform for video creators and filmmakers, it is important to explore ways in which collaborators can communicate and share ideas through different time zones and locations. This is where Dropbox comes in; an online cloud based storage system that creates a folder on your computer capable of syncing with any other computer or mobile device that gets authorized. No matter the file type, you gain the ease of dragging and dropping your scripts, audio files, and even large videos right into this folder to be shared.

The Dropbox service provides a free “Basic” package with 2GB of space that you can use for as long as you like, but provides the option to upgrade to 50GB of space for $9.99/month and 100GB of space for $19.99/month. 2GB of space is a lot of scripts, documents and media though, so the free package is fine for most users.

Most email systems today provide the ability to attach a file to your email and this is ok unless you are attaching a file larger than 20MB. Gmail, the free email provider owned by Google won’t allow the attachment of a file any bigger than 20MB. Well, what if you need to share a video concept? Sure you could go through the hassle of converting it to the right video format and compressing it. Then you’d have to wait for the file to upload to YouTube and depending how long the video is, you’ll add another twenty minutes to two hours just in processing time. Ok so let’s assume you did all of that and just spent a good two or three hours of your day. Not a very efficient use of time and if anyone understands time management, it should be a video production team.

Let’s consider the same scenario with the Dropbox application. Dropbox places a folder on your desktop (PC) or in your menu bar (Mac) where you simply drag the file and ‘drop’ it. That’s all. No waiting for processing or converting it to the right format; It simply is ready for your team members to view. Depending on your Internet connection there will be some time spent uploading but you gain the advantage of cutting out the converting and processing times, and you just gained back two hours of productivity. Not bad at all for a free program.

Now I’m going to let you in on a little secret- the 2GB limit is not necessarily a limit. There are multiple ways of increasing your space and they don’t cost a penny. Here are three simple and free ways of increasing Dropbox space:

1.     Complete the Dropbox ‘Getting Started’ List - The website offers 250MB of space on top of your initial 2GB just for completing their getting started list. There are 7 items on the list, so completing them all gives you an extra 1.75GB of space.

2.     Refer your friends - If you use your email at all you’ve most likely gained a hefty list of contacts. For each referral to Dropbox, you gain an additional 250MB of free space. You can extend your space up to 8GB with this.

3.     Share a Dropbox link on your social media profiles - Many people use social media networks for pleasure and for Internet marketing; now you can use them for Dropbox space. Complete all the tasks and yet again, your space will increase.

So now that you’ve created an 8GB Dropbox cloud sharing service, you not only can use it for sharing, but storing files to edit them on the go. Dropbox has expanded its product to be compatible with most mobile platforms too. Simply download and install the app, and start using your files from anywhere.

Rookie Video Pro

If you like this post by guest blogger, Zephan Blaxberg, founder of RookieVideoPro.com please visit our website, the online source for video production tips, tools and gear. Follow Rookie Video Pro on twitter at @rookievideopro for the latest updates and information.

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Screenplay Formating – Part 1

June 2nd, 2011

FrameForest

Every month or so we feature a guest article from a blog that writes about filmmaking, collaboration, or new media. This month’s article comes to us from Frameforest. Frameforest is a site for people interested in video and film production. The site contains “a forest” of free tips, videos, tutorials, guides, and ideas on editing, effects, cameras, screenwriting, software, lighting, and other related topics.
Screenplay formatting guide

Are you planning to write the script for your new masterpiece?
A screenplay should follow some rules on how to layout and format your writing. When following these rules your script will immediately look better and more professional. In this series of articles, we will be focusing on the different parts of formating your sceenplays. In this first article, we will take a look at font, title page, and scene headings!

FONT
When writing a screenplay the standard font to use is “Courier New” with 12pt as the text size. The font “Courier New” does look a bit like an old type writer font, and thats cool! But the main reason we use this font is because it is monospaced, witch means that all the characters take up the same amount of space, and that is why this is the standard font. You should always use this font in 12pt, and never use bold or italics.

TITLE PAGE
All scripts should start with a title page. The title page shows the title of the script, the author, and contact information.
Your title should be centered with CAPITAL LETTERS 1/3 down from the top.
On the next line you write “by”, and on the next line you write the name of the author, or the authors.
Put your contact information at the bottom of the right corner. Write your address, phone number, and e-mail address.

Night in the forest

SCENE HEADINGS
Now its time to start writing the actual script! All screenplays consist of scenes, and all scenes consist of scene descriptions, action, and dialogue.
All scenes start with a scene heading. A scene heading consists of several elements.

The first thing you write in a scene heading is either “INT.” or “EXT.” which is short for “Interior” and “Exterior.” If your scene takes place outside write “EXT.” and if it takes place indoors, write “INT.”

Then you write where your scene is taking place. For example “Old castle”, “living room”, “Large wear house” or “Forest” to give some examples.

The last thing is telling what time of the day the scene is taking place in. For instance you can write “Day”, “Night”, “Dawn” etc. You write all your scene headings with capital letters.
Example: This would be the scene heading for a scene taking place in an old factory at night:

Scene heading

So thats it for part 1. In the next article in this series we will take a look at: action,dialogue and transitions! If you have a comment to add and share about the early elements of screenplay formatting, then please write one below.

The original post can be viewed directly on Frameforest.

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Focus Isn’t Just for the Camera

March 4th, 2011

web series focus

Let’s face it; most of us that are in the business of creating web series and independent films are also in other businesses. We have day jobs, families, and responsibilities outside of our passion projects. I firmly believe that with solid planning, great stories, dedicated partners, and a healthy dose of luck, one can make being an artist a full time gig–but it takes a while to get there. So, we have to find other ways to survive and provide for our loved ones while we build a reputation. How do we maintain focus and make progress toward the goal of earning a living as a producer, director, actor, or writer while balancing the stresses and tasks of our daily lives outside of the production world?!

I’ve found that the best way to do that is to respect your goals as much as your “day job.”  Treat it as much like a business as any other. If you’re an actor but don’t have a part at the moment, or have one that doesn’t pay, you’re still an actor. Don’t say, “I want to be an actor.” Say, “I am an actor.” If you’re a writer, find time to write every day: before work, at lunchtime, or before bed at night. If you’re a producer or director, get involved with writers who have projects that inspire you. Use your skills to help establish yourself, and them. Whatever your particular interest, do something every day to work on the craft you dream of making your full time gig.

Another way to respect your goals is to approach achieving them as a business. You know those annoying meetings at work where someone makes an agenda of all the important topics to discuss, then assigns action items and due dates? You need to do that with any projects you are working on–and hold yourself and your partners to the plan you create and the dates you assign. If you don’t, you won’t make nearly enough progress, and will delay your success. Of course, you shouldn’t be harsh with yourself or anyone else who’s working on your project for free, but if you set the tone that you take the process seriously, then those around you will too. In fact, others who are part of your projects will actually work harder and feel more satisfaction if they feel like what they are doing is a “real” job.

What about when real life interferences happen (which they will)? Things that can’t be avoided might pull you or your partners away from the project. When something comes up that stalls progress, don’t be discouraged. Revise your plan, move the due dates, set reasonable, specific dates when everyone involved can expect to resume forward motion, and reassure the team that you are as committed as ever to completing what you started. With strong leadership, you can get things back on track. And if the “team” is just you, it’s even more important to follow this advice. If you’re the only one working on something, there’s no one else to kick you back into action when you’re stalled. You have to do it yourself, so hopefully you have drive and motivation on your side.

No matter what happens, the best way to maintain focus is to always remember how you felt when you began a project. Remind yourself of the excitement and optimism you felt when you first decided to write that screenplay, or audition for that part, or bring that web series to life. When you begin something, you feel like you can achieve anything, and you can almost see the finish line. Along the way, obstacles can twist you around and make you lose sight of that finish line, but if you take the time to recall the attitude you had at the beginning, it can renew your energy, and help you get back to the focus you need to be successful.

Good luck! And if you have any additional tips for maintaining focus that I didn’t touch on, please mention them in the comments.

Post author: Ralph Fontaine is a Director, Producer, and Actor who has lived and worked in Los Angeles, New York, and Seattle. His current project is “Causality”, a Science Fiction webseries about time travelers who come from the future to the early 21st Century. Check it out at www.WatchCausality.com, and/or email him at Rfontaine@watchcausality.com

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The 12 Step Process To Web Series

February 14th, 2011

Hi, my name is Ralph and I make webseries.

Sound like the introduction at a twelve step meeting? Yes. Is the compulsion to spend all of your time and often much of your own money creating content that may or may not ever gain you recognition or monetary gain something that requires attending a support group? Absolutely! But the group you should join is not one that strives to get you over your addiction to creating, but one that helps make your efforts worthwhile. Do such groups exist? Most definitely! In fact, by reading this on Spidvid.com, you’ve already found one of them.

Let’s back up a bit. Not too long ago, if you put all your time and resources into making a short film, or harder still, a feature, you didn’t have many options for getting viewers and recognition. If you spent lots of money on film festival entry fees and happened to find some that decided your project was something they wanted to show, you might develop a following. Best case scenario, a distributor would pay you for your work and promote it to a larger audience. In some ways it was a simpler time, because it was easy to know which path you wanted to take. There weren’t really any other ways to do it. As with anything, there were pros and cons to this very linear system, but if you ask me, I’ll take the world of New Media that has emerged since the advent of widespread broadband internet access and the public shift to viewing more content online.

Now, if you create something you’d like people to see, there are dozens (maybe hundreds?) of sites where you can post it. Some will get you more views than others, and most don’t lead to financial gain, but your work can be seen, which is one of the points of making it, right? But what if you are more serious about taking your need to create to the next level, so it’s more of a career than a hobby? In keeping with the “Twelve Step” metaphor I started with, I made a list of twelve concepts and resources that can help with projects you have high hopes for. I’m following them as I work towards completing Season 1 of “Causality”, the sci-fi webseries I’m currently producing and directing (www.watchcausality.com), and they will help you as you develop and build projects you’re working on.

1. Be passionate about the story you want to tell. Don’t create something just because you think other people will like it. In other words, if you hate Musicals, don’t make a “Glee” style program because it’s popular.

2. Don’t try to do every job yourself. It sounds prestigious to be a Writer-Producer-Director-Actor-Editor…until you realize that if no one else is a part of your project it means either a) you’re a control freak, or b) you couldn’t sell anyone else on your idea. Your project WILL be better if you use your passion to bring others together to create it–provided that you:

3. Assemble the right team to bring your project to life. That doesn’t mean find people who think exactly like you, and who know exactly what you know. It means find people who have complementary ideas to yours and skills that you don’t. It’s scary to do this–you’ll see your project become something different from what you first conceived, but its life force will grow exponentially as more people add their inspirations to yours.

4. Organize the team like a business. Define roles clearly, have regular meetings with agendas, action items and deadlines, and create a level of accountability. Even if no one is getting paid, setting a professional tone will help keep things on track and encourage the team to continue to take their jobs seriously.

5. Set a schedule, and do your best to stick to it. As early as you can, decide when the key steps of production will be done: When will the script be finalized? Pre-production begin? Principal Photography? When will the final product be ready to post? Of course, things will happen that may change your schedule, but creating a timeline and setting goals will keep you and your team from losing motivation, and it will prevent having an unreasonable number of steps to take all at once.

6. Research where you want to publicize your finished product. You may think it’s too early to worry about that if you’re just starting pre-production, but it isn’t. There are dozens of sites that host and promote independently created content, and they are all different. Some will allow anyone to post, whereas others require submission and acceptance like a film festival. Some are considered more prestigious than others, or specialize in specific genres (Like www.Scifinal.com. They stick to Science Fiction, obviously.) Knowing your target distribution site(s) will help you plan, and remind you to keep the genre and/or quality requirements in mind, so that when you’re finished you can post your project in the most prestigious locations possible, draw a large audience who likes your topics, and potentially court sponsors.

7. Develop a community around your project from the start. Even back in the days when film festivals were the only way to get your work seen, smart producers spread the word about their films whenever and however they could That way, there was already an audience waiting to get into their screenings when they played at festivals. It was much harder then, but now you have the Internet. Use it! A lot. Blog, Tweet, and Facebook, about your project. Be careful not to just barrage people with promotional messages, but make it interesting to become part of your project’s community. Have a contest, give away merchandise, invite others to contribute creatively, offer parts in your show, whatever you can do without jeopardizing the quality of your work. Check out UK filmmaker A. D. Lane (@indywoodFILMS on Twitter) for a real primer on how to do this.

8. Become part of the community of creators. The mechanics of production have become much easier since the advent of consumer cameras and editing systems, so a heck of a lot of people are making things and posting them online. Quality and professionalism varies quite a bit, so find some shows/films/sites that you respect, and develop relationships with the creators. Most of them are doing what I recommended in step 7, so you can find them all over the place, like Twitter, Facebook, etc. At this point in the evolution of online entertainment, we all want to encourage the world at large to take us seriously and introduce more people to quality independent online productions. So, even though there is an element of competition, most creators are excited to connect with others who have a similar goal.

9. Use resources where you live. Many large and mid size city governments have a Film Commission or Media department that can help with locations, permits, etc., and many places have private organizations that are dedicated to helping artists. I live in Seattle, where we are lucky to have several places to look to, including the Office of Film and Music (http://www.seattle.gov/filmandmusic) and private organizations such as Northwest Film Forum (http://www.nwfilmforum.org) and 911 Media (http://www.911media.org) Look around– it’s a safe bet that no matter where you live, there are places not too far away that can offer some support.

10. Don’t spend all your own money! If you’re trying to be a professional, you can’t just self-finance your work. If you want to build a career, you need to show that you can convince others to invest in your vision, and spend that money wisely. Unless you’re established already, or have lots of wealthy patrons, you will likely have to spend some of your own money; but don’t neglect crowdfunding outlets such as http://www.indiegogo.com and http://www.kickstarter.com. There are other creative ways to raise funds as well, including pursuing product placement sponsorships. So see what others are doing, and decide how you can preserve your own Retirement Fund and still make your project.

11. Don’t get discouraged. Things will not always go well. People you were depending on will back out, time and money will be limited, shoots will go poorly, and you’ll wonder if anyone really cares about this thing you’re making. That’s a normal part of production, so roll with it. I don’t mean keep a false sense of positivity–recognize what went wrong, figure out why, and take steps to prevent it from happening again. But don’t let it derail your project. Leadership is very important. If you can show that positive action is being taken to make things better, your team will stick with you, and help you move forward to better days.

12. Expect Success. This is your chance. If you followed Step 1, you chose to commit to making something that you dream about a reality. Don’t skimp on that. Use your passion to draw together the most talented collaborators and know that you CAN find the time and money that you need to produce your project. Don’t let people tell you what can’t be done. Evaluate challenges realistically, but keep the attitude that you WILL do what you set out to do. If you find you can’t go over an obstacle, go around it. Expect to complete your project, draw millions of fans, and get funding for your next idea. Take comfort in the fact that many before you have done it, and strive to do it even better than they did.

That’s a lot to think about, right? Just like any “program”, some steps will be harder than others, and it may take you awhile to get through them all. I for one am glad to have sites like Spidvid to serve as a “Sponsor” to help keep me from falling off the wagon. Here (and other places) I see the community of people who take themselves as Producers, Directors, Writers, etc. seriously, and know that I belong with them. I salute all of their efforts, and cheer on anyone who has a sincere desire to create quality work. I hope this helps you do the same.

Ralph Fontaine is a Director/Producer/Actor who has lived and worked in Los Angeles, New York, and Seattle. His current project is “Causality”, a Science Fiction webseries about time travelers who come from the future to the early 21st Century. Check it out at www.watchcausality.com, and/or email him at Rfontaine@watchcausality.com

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